History and Schools of Metaphysics
Early Analytical Philosophy and Positivism
During the period when idealism was dominant in philosophy, science had been making great advances. The arrival of a new generation of scientifically minded philosophers led to a sharp decline in the popularity of idealism during the 1920s.
Analytical philosophy was spearheaded by Bertrand Russell and G. E. Moore. Russell and William James tried to compromise between idealism and materialism with the theory of neutral monism.
The early to mid twentieth century philosophy also saw a trend to reject metaphysical questions as meaningless. The driving force behind this tendency was the philosophy of Logical Positivism as espoused by the Vienna Circle.
At around the same time, the American pragmatists were steering a middle course between materialism and idealism. System-building metaphysics, with a fresh inspiration from science, was revived by A. N. Whitehead and Charles Hartshorne.
Continental Philosophy
The forces that shaped analytical philosophy – the break with idealism, and the influence of science – were much less significant outside the English speaking world, although there was a shared turn toward language. Continental philosophy continued in a trajectory from post Kantianism.
The phenomenology of Husserl and others was intended as a collaborative project for the investigation of the features and structure of consciousness common to all humans, in line with Kant’s basing his synthetic apriori on the uniform operation of consciousness. It was officially neutral with regards to ontology, but was nonetheless to spawn a number of metaphysical systems. Brentano’s concept of intentionality would become widely influential, including on analytical philosophy.
Heidegger, author of Being and Time, saw himself as re-focusing on Being-qua-being, introducing the novel concept of Dasein in the process. Classing himself an existentialist, Sartre wrote an extensive study of Being and Nothingness.
The speculative realism movement marks a return to full blooded realism.
Luc Paquin
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